Nel segno della vita. Donne e Madonne al tempo dell' attesa
An exhibition devoted to the portrayal of the motherhood
Motherhood in the sense of the origin of the world and the quintessence of love is the leitmotif of the second Lands of the Uffizi exhibition in Poppi.
The exhibition centres on a painting showing the Blessed Torello da Poppi Blessing a Woman Nearing the End of Her Pregnancy (oil on canvas, late 18th century), an utterly unique iconography in the panorama of Tuscan painting. Restored specially for this exhibition, the large canvas originally commissioned for the church of Santa Trinita in Florence is attributed to the Florentine painter Santi Pacini and has been dated to the late 1770s, when the artist was engaged in painting the frescoes in the vault over the choir in the church of Camaldoli.
Torello, a hermit of Avellaneto near Poppi, has been venerated since the late 13th century, the century in which he lived, as the patron saint of women in labour and of babies in the womb. The depiction of this extremely delicate moment in life as a theological metaphor for the path of man’s salvation is also extolled in the exhibition by a group of works on loan from the Gallerie degli Uffizi focusing on the Annunciation to Mary and on Christ’s Nativity. The most significant of these is an Allegory of the Incarnation and Persian and Libyan Sybils, a sophisticated painting showing the nomen sacrum (IHS), the emblem of the Company of Jesus or Jesuits, on the Virgin’s womb. Also on display is an Annunciation formerly attributed to Bronzino but now given to his Florentine contemporary Giovanni Bizzelli, and the Unnatural Vow, a grandiose if controversial sculpture by the 19th century Sicilian sculptor Salvatore Grita, in which a pregnant woman wearing a nun’s habit and collapsing against a flaking wall stands for all the unmarried mothers and young girls who were forced to take the veil against their will and their natural temperament.
Stanislao Pointeau. A Tuscan "macchiaiolo"of French descent. An exhibition dedicated to Prof. Carlo Del Bravo
Exhibitions
The Medici: Mugello Folk. Family portraits from the Gallerie degli Uffizi
From 19 May to 5 November, four works from the Uffizi Galleries bring back the Grand Dukes in the country and towns of the Mugello, the family’s legendary homeland.
Exhibitions
A bizarre and whimsical temperament. Giovanni da San Giovanni, a maverick painter at the Medici court
Giovanni da San Giovanni returns to his home town with an exhibition in the "Lands of the Uffizi" series
Exhibitions
The Ceramics of Montelupo and the Uffizi. A gallery of comparisons
"Lands of the Uffizi" comes to Montelupo for the first time
Exhibitions
Embattled thinkers. Fame and oblivion of two men of letters, from the Battle of Anghiari to the siege of Famagusta
The Museo della Battaglia e di Anghiari is to host a new exhibition in the Lands of the Uffizi
Exhibitions
The Fabulous '60s in the Maremma. The mark of Ico Parisi
The splendour of the fashionable clothes of the Museum of Fashion and Costume of Pitti Palace 'parades' in Grosseto to recreate the dynamism and effervescence of the society of Southern Tuscany in the post-War period.
Exhibitions
The paintings of Jacopo Vignali, from the Gallerie degli Uffizi to San Casciano
In memory of Carlo Del Bravo
Exhibitions
Masaccio and Fra Angelico. A dialogue on truth in painting
Masaccio returns to his birthplace, Castel San Giovanni, in a dialogue with Fra Angelico
Exhibitions
La predella degli Uffizi salvata al Castello di Montegufoni
The return to Montespertoli of the Gallerie degli Uffizi predella
Exhibitions
A Renaissance Masterpiece, from France to Bosco ai Frati: A Triptych by Nicolas Froment.
15th century painter Nicolas Froment’s masterpiece returns after almost 200 years to the convent that was its home for centuries
Exhibitions
Nel segno della vita. Donne e Madonne al tempo dell' attesa
An exhibition devoted to the portrayal of the motherhood
Exhibitions
Masaccio and Renaissance masters compared to celebrate 600 years of the Triptych of San Giovenale
Masaccio’s San Giovenale Triptych displayed for the very first time alongside work by the great painters of his day
Exhibitions
Pietro Benvenuti in the Age of Canova. Paintings and drawings from public and private collections
The first “Lands of the Uffizi” exhibition to be held in Arezzo explores the work of painter Pietro Benvenuti in the age of Canova
Exhibitions
The Warrior Pope Giuliano Della Rovere and Anghiari’s Soldiers of Fortune
The link between the Warrior Pope Giuliano Della Rovere and Anghiari’s Soldiers of Fortune
Exhibitions
Giottesque Painters in the Valdelsa
Two versions of the Madonna and Child juxtaposed for visitors to discover Lippo di Benivieni and the followers of Giotto in the Valdelsa
Exhibitions
"The Final Seal". The Stigmata of St. Francis at La Verna from the collections of the Gallerie degli Uffizi
The Pinacoteca Comunale di Castiglion Fiorentino and the Gallerie degli Uffizi trade two masterpieces
Exhibitions
The Civilisation of Arms and the Courts of the Renaissance
An exhibition in Anghiari telling the story of the Renaissance courts and of the men who peopled them, amid war and culture.
Exhibitions
In the Name of Dante. The Casentino in the Divine Comedy
Dante returns to the castle of Poppi, where the Casentino inspired the Divine Comedy
Exhibitions
Dante and Andrea del Castagno Return to San Godenzo
The fresco of Dante painted by Andrea del Castagno in the place where the painter was born and where the poet's exile began
Exhibitions
